Einspeiseweiche, SAT-Einspeiseweiche / Compiner zur Kombination des Sat- und Antennensignals / Bidirektional einsetzbar / Anzahl der Eingänge: 2 / Anzahl der Ausgänge: 1 / Anschlussart: F-Buchse / max. Durchgangsdämpfung: 2 dB / Frequenzbereich: 40 - 2150 MHz / Einsatzbereiche: Satelliten Fernsehen, innen / Stromversorgung: Fernspeisung / Durchgangsstrom (max): 500 mA / Funktionen: digital tauglich, DC-Durchlass, Montagehalterung / DVB-Standard: DVD-S2 / Entkopplung: 20 dB / Abmessungen: 60 x 51 x 16 mm / Gewicht: 200 g / Farbe: silber
Zum Zusammenfuehren von 4x Sat- und 1x Antennensignal (Dvb-T oder Dvb-T2) auf 4 Kabel. Sie haben dann auf den 4 Ausgaengen jeweils das Signal von SAT und Dvb-T in vollem Umfang! Eigenschaften - 5 Eingaenge (4x Sat / 1x terr.)- 4 Ausgaenge zu den Receivern- Fr
Zur Zusammenschaltung oder Trennung von SAT-ZF und terrestrischen Signalen DC-Durchgang Hauptmerkmale Technische Details Typ Kombinator Gewicht & Abmessungen Breite 4,8 cm Tiefe 9,2 cm Höhe 2,9 cm Gewicht 81g
digitaltauglich DC-Durchlass Outdoor-Typen im Wetterschutzgehäuse (einfache Montage mit Kabelbindern) Der SPU 21-02 ist ein 5,10cm (2) 1 Umschalter, mit dem zwischen zwei SAT- Antennen umgeschaltet werden kann. Dadurch können die Programme mehrerer Satelliten über einen SAT-Receiver empfangen werden. SPU 21-02 als 5,10cm (2) 1 SATAnlage zum Anschluss eines Receivers an 2 UniversalSingle-LNBs. Hauptmerkmale Technische Details Typ Kombinator Frequenzbereich 47 - 2200 MHz Anzahl 1 Abmessungen (BxTxH) 120 x 30 x 70 mm Farbe Produktfarbe Grau, Silber Anschlüsse und Schnittstellen Anzahl der Verbindungen 3 Gewicht & Abmessungen Breite 12 cm Tiefe 3 cm Höhe 7 cm
Triosonate II in c-moll BWV 526Bach composed the six Trio Sonatas for Organ BWV 525 - 530 probably between 1727 and 1730 when he was Cantor at the St. Thomas Church in Leipzig. The trio sonata as a baroque genre usually employs four players: two solo parts (violin, flute or oboe), a bass part (violoncello, violone or bassoon) and the continuo part (organ, harpsichord or lute). It is assumed that during his time in Kothen (1717 - 1723), Bach composed a few dozen trio sonatas for various instruments, of which very few have survived. In fact, the Triosonata for two Flutes and Continuo BWV 1039, along with the one from the Musical Offering (which was written much later), is the only one of which the authenticity can be regarded as certain. Bach arranged it for Viola da Gamba and harpsichord (BWV 1027). The upper solo part is played by the right hand of the harpsichordist while the Viola plays the second part an octave lower. Later, Bach arranged the last movement for organ (Trio in G). Here, the pedal plays a slightly simplified bass, and the left hand takes up the second part. Maybe some of the movements of the six Trio Sonatas for Organ go back to lost compositions Bach has arranged in a similar manner. There are earlier versions of many movements, and the original of at least one movement (BWV 528, I.) was written for more than one instrument: the Sinfonia of the second part of Cantata BWV 76 which is set for Oboe d´amore, Viola da Gamba and Basso Continuo. The linear, distinctly chamber music-like disposition of the Sonatas further supports this assumption, and a number of recent recordings of the Sonatas with two solo instruments and basso continuo convincingly justify the reconstruction of a hypothetical original. The Vivace in its ritornello form (tutti/solo) rather resembles a concerto movement. A spright, homo- phonic theme in thirds (tutti) contrasts with solo interludes in which the upper voices carry on a lively debate characterized by imitations of sixteenth-note figures in the upbeats. Certainly one of the most beautiful movements of the Trio Sonatas, the Largo sounds sad and wistful, despite the key of Eb major. After a pure, almost meditative opening with sigh gestures over a cantus firmus-like melody of long sustained notes, and a walking bass, the movement subtly intensifies by means of tightly woven sixteenth notes in the solo parts, a slightly more active bass and complex thematic and motive relationships. It is hardly noticeable that the eighth notes in the bass starting in bar 24 are a simpli-fied version of the sixteenth notes from the beginning. In the Allegro, Bach combines two seemingly contradictory musical styles in an extended fugal finale. The linear, discursive theme in the traditional alla breve seems at first a little stern and sober, almost like a study in the stile antico, that had become unfashionable during Bach´s lifetime. Some of his contemporaries subsequently criticized him for incorporating this style into his music. Bach juxtaposes it with a distinctively ,modern´ second theme of rhythmic vitality with a playful countersubject. Tempo indications and solid slurs are in the autograph. In some cases, the slurs are ambiguous (esp. mvt. I. bars 44 + 45 and 52). The suggestions for arti-culation and phrasing (dashed slurs, staccato dots and commas) have been omitted in parallel passages.Nombre de pages :52
Audie Award Finalist, Humor, 2014 Kevin Pollak rose through the comedy club ranks at the feet of Don Rickles and Bill Cosby, Johnny Carson, and George Carlin. Named one of Comedy Central’s Top 100 Stand-Up Comedians of All Time, he’s a killer impressionist — Falk, Shatner, Walken, Nicholson — a versatile actor with one of the most respected filmographies around, and an Internet pioneer. He’s done it all, and now he’s ready to spill the beans. Ballsy, hilarious, and revealing, How I Slept My Way to the Middle winningly combines never-before-heard stories featuring A-list entertainers with fan favorites and Kevin’s own thoughts about how he made it. He turned down his first invitation to do stand-up on The Tonight Show because he knew that he’d make a bigger splash if he sat on the couch next to Johnny. That huge risk — which paid off in spades — was just the beginning. Find out how he brought John Belushi to his knees, tortured Paul Reiser (twice), bamboozled Larry King, stole Alan Arkin’s soul, almost killed Warren Beatty, and sucked face with Robert De Niro’s girlfriend. Now a new media entrepreneur, Kevin is laughing proof that if you follow your gut and believe in yourself, you can do anything you want — except have a rational conversation with Rip Torn, who’s an evil, paranoid $#!%. 1. Language: English. Narrator: Kevin Pollak. Audio sample: http://samples.audible.de/bk/brll/004353de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
When Lacey runs into a blast from her past, she agrees to meet him for drinks. As she recounts out loud the last time they were together, the memories and the wine combine between them for a combustible reunion. Warning: This audiobook contains very explicit sex including gangbang sex, college sex, sex with strangers, college party gangbang, friends with benefits, group sex, and more. Only mature adults who won´t find graphic sexual content offensive should listen to this story. Here is a preview: Shortly after I sat down, the waitress stopped by with a carafe and glasses as well as several small tapas that Thomas had already ordered. ´´Ah, you remember,´´ I smiled and winked. He had ordered red sangria filled with fresh cut fruit, a platter of cheese and olives and cured meats, and a tiny dish of marinated mushrooms. The young woman poured the first glasses and set everything down on the table between Thomas and me. When he and I had been in college, we had experimented making our own sangria and every single attempt failed miserably. I sipped the sparkling fruity drink and popped a mushroom in my mouth. His eyes seemed to watch my every move, and I knew instantly that I could control where this evening ended. ´´So, are you attached or unattached?´´ I approached the question head-on. ´´Um, recently unattached actually.´´ 1. Language: English. Narrator: Sophia Chambers. Audio sample: http://samples.audible.de/bk/acx0/079648de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
From the New York Times best-selling author of How to Be a Woman and Moranthology comes a collection of Caitlin Moran´s award-winning London Times columns that takes a clever, hilarious look at celebrities, society, and the wacky world we live in today - including three major new pieces exclusive to this book. When Caitlin Moran sat down to choose her favorite pieces for her new book, she realized that they all shared a common theme - the same old problems and the same old asshats. Then she thought of the word Moranifesto, and she knew what she had to do.... Introducing every piece and weaving her writing together into a brilliant, seamless narrative - just as she did in Moranthology - Caitlin combines the best of her recent columns with lots of new writing unique to this book as she offers a characteristically fun and witty look at the news, celebrity culture, and society. Featuring strong and important pieces on poverty, the media, and class, Moranifesto also focuses on how socially engaged we´ve become as a society. And, of course, Caitlin is never afraid to address the big issues, such as Benedict Cumberbatch and duffel coats. Who else but Caitlin Moran - a true modern Renaissance woman - could deal with topics as pressing and diverse as the beauty of musicals, affordable housing, Daft Punk, and why the Internet is like a drunken toddler? Covering everything from Hillary Clinton to UTIs, Caitlin´s manifesto is an engaging and mischievous rallying call for our times. 1. Language: English. Narrator: Joanna Neary. Audio sample: http://samples.audible.de/bk/harp/005643de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.